„Ráchel draws on her collections of photographs of water from various locations, immersing them in the metafluidities and hydrovirtualities of social media within whose dubious torrents we are saturated and often sunk. Ráchel’s process form eddies and whirlpools – deep blue cyanotype tides lap against shorelines of ink, pastel, oil paint, wood, copper and foil, soak staining into a hydrogeology of the real and the virtual. …“ Dr Norman Shaw for the New Contemporaries 2023 catalogue by Royal Scottish Academy.