“The title of the exhibition is not merely a poetic gesture, but a conceptual metaphor that becomes a key to reading Ráchel Jutka’s work. Inspired by the mandatory warning found on car side mirrors and philosophically reinterpreted by Jean Baudrillard, it refers to the distorted perception of reality, to the illusion of distance or safety that an image can convey. In the context of the exhibition, this phrase becomes a warning: what appears abstract, distant, or elusive may, in fact, be intimate, physical, and emotionally charged. The title thus creates a dialogue not only with the images and objects on display but also with their "invisible" contents, while at the same time ironically undermining Greenberg’s notion of the image as clearly readable. The exhibition raises the question of how far an image can serve as a bearer of relationships, not just representation, and how the tension between image and object can be used as a form of visual inquiry.” (...) curator Štefánia Ďuricová, M.A.